Review of Episode 19: "Children of Men"
by SpoilerTVThis week’s episode of Revolution, “Children of Men,” was written by David Rambo and Jim Barnes and directed by Frederick E. O. Toye. This is the second last episode of the season and things are starting to build to a climax. This episode featured some great lines and action sequences. We also see the world of Revolution expand a bit more through the introduction of some new characters.
This episode felt a bit stronger than some of the recent episodes and had a few really great moments for me. Miles’ (Billy Burke) declaration that it was “Just another Monday” is a typical Kripke shout out to the fact that the show airs on Mondays. My favorite exchange of dialogue was Neville (Giancarlo Esposito) calling Aaron (Zak Orth) “Chubs” and Aaron responding by calling Neville a “Dick.” The blood explosions in the fight in the Tower are a Kripke signature. I also loved the Star Wars: Return of the Jedi shout out as Aaron and company are trying to break into the Tower under a hail of enemy fire. Watching Dr Warren’s book burn, which is also reflected in Aaron’s glasses is a wonderful visual echo of Grace’s (Maria Howell) revelation that turning the power on could result in setting the world on fire and a powerful image to end the episode wit.
Rachel (Elizabeth Mitchell) once again fails to kill Monroe (David Lyons). The scene with her pulling the pin on the grenade and then letting the soldier wrestle it away from her was bordering on the ridiculous. The show redeemed itself somewhat through Monroe’s insight that she didn’t really want to commit suicide even if she did want him dead. This does make sense. Rachel is a fighter – she’s been fighting for her kids since Danny was born after all. I’ll admit to rolling my eyes when Monroe started confessing to Rachel that he’d just learned he had a son, so now he understood her anger over Danny’s death. Mitchell does a credible job conveying Rachel’s reluctant sympathy for him. In fact, both Mitchell and Lyons deliver powerful performances in the scene. The flashback to Rachel and Ben (Tim Guinee) after the blackout and the parallel of Monroe’s and Rachel’s comments on needing redemption for the blood on their hands – especially from their children is very effective. We see Rachel at her weakest in the flashback and Ben using the children to give her strength – the very thing she is continuing to draw strength from. It’s hard to believe, however, that after years of ruthlessness, Monroe is suddenly going to have a change of heart and overcome his paranoia for a son he’s never seen. Rachel puts Charlie (Tracy Spiridakos) ahead of Miles (Billy Burke) when she gives Monroe the gun and trusts him to help save Charlie. He does save Charlie even if Rachel immediately gets Charlie and Aaron captured.






